This page will be continually researched and updated and serves as an addendum page to support the book.

You'll be glad to hear (and so am I) that so far no prints have come to light that are unaccounted for in the book. However there are a few minor aberrations and some extra information with which I wish to amend the following...

16. Bow Movement 1954

An earlier example of this etching has come to light (Bonhams 25/5/10 lot 42), dated 1954, signed and inscribed "no.4"

39.  Red and Black Solid II 1967

Collections: there is also an example of this lithograph held in the Brooklyn Museum, New York

61. Quietly in the Morning 1971

Printed by Jeff Clarke at Reading University

64. Moonship 1972

The publishing credit on this entry should read, "Published by Leslie Waddington Prints, London"

81. Untitled c.1983

Note: an example of this linocut, dated 1986, exists printed in red and black

86. Sun Up Newlyn 1984

Note: some proofs exist with added collage and hand colouring

92. Suspended Red, Yellow and Black 1981

This screenprint was printed in 1981 at Kelpra Studio, London

94. Yellow, Red and Black for Lorca 1981

This screenprint was printed in 1981 at Kelpra Studio, London

98-108. (The Lorca Suite) 1989

100. Es verdod; 105. Thamar Y Amnon and 107. Arbole, Arbole are not hand coloured

118. Untitled (Celebration) 1989

The unsigned edition of 100 was printed on a smaller sheet than the signed edition

130. Lorca Sun 1991

Also titled "Is It True"

139. Lizard Black 1995

The edition also comprised 2 studio proof inscribed S/P I & II + at least one unsigned proof

140. Tide Up Newlyn 1995

The edition also comprised 2 studio proof inscribed S/P I & II + at least one unsigned proof 

142. Newlyn Blue Q 1995

The edition also comprised 1 un-numbered proof

177. Madron Woodcuts 1998

There are 6 Artist's Proofs, not 8. Also, the colour of the lilac semi-circle in the fourth woodcut is actually cream in real life

180. Madron Woodcuts (Half Moons) 1998

The illustration accompanying this entry has sheet 5 missing. Also, the colours are not at all representative: sheet 1, for example, has a lilac background and sheet 10 has a bright yellow background with a crimson-brown semi-circle

185a. Untitled (Orange and Black) c.1998 (p.31)

This is a linocut, not a woodcut and measures 425 x 290mm printed to the sheet edges

204. Development of a Sqaure Within a Square (Red) 2000

The image in the illustration should be rotated through 180 degrees

206. Orange Sun Newlyn 2000

This screenprint is in ten colours, on 400gsm Velin Arches paper and printed by Jasmes Holden at Coriander Studio

234. Orange, Green and Blue Rhythm 2002

The artist's proofs are numbered I-XV in Roman numerals

239. Sun Bow 2002

The image in this illustration has been squashed, the actual etching is at least 10% longer

241. Three Stripes for Red 2002

The red and black collaged element in the centre is individually hand painted in each example

261. Red and Black Sunburst 2003 and 2010

The illustration should be rotated anti-clockwise through 90 degrees

Figure 2a (p.11)

Further research suggests this may not be a maquette for the adjescent print